新印记（高峰之路·2017舞台艺术篇）

            A new mark (the road of the peak of the 2017 stage art)

版式设计：蔡华伟

　　歌剧《马向阳下乡记》（青岛市歌舞剧院）

　　向民族歌剧经典致敬

　　马小龙

　　这是一部具有时代特征、地域特色的乡村喜歌剧作品，从创作到表演都很好地继承了中国民族歌剧传统，尤其是上世纪五六十年代开创的以《小二黑结婚》为代表的民族喜歌剧传统。该剧以“精准扶贫”为主旨，着重刻画了马向阳、李云芳、刘世荣等人物形象，语言诙谐，叙事顺畅，生活描摹扎实。剧中音乐以板腔体为核心手段，选用吕剧、琴书、秧歌等地方风格民族民间音乐元素进行再创造，有效营建戏剧情境，塑造戏剧人物。大量唱段不但富有戏剧性，而且好听好唱，入耳入心。艺术家们按照民族歌剧舞台处理和表演的要求，将民族歌剧发展进程中的有益探索和成功经验原汁原味地继承下来，并顺应当代审美需求，充分发挥喜歌剧特点并运用更加丰富的表现手法，完成了一部向民族歌剧经典致敬的优秀作品。尽管该剧尚有打磨精进的空间，但在民族歌剧传承发展的历史进程中，这将是一部回顾传统、启示创作的重要作品。

　　京剧《大宅门》（北京京剧院）

　　按艺术规律改编

　　李龙吟

　　京剧《大宅门》抓住“宅门里、宅门外”这个关键点，围绕杨九红、白景琦、白文氏展开故事，合情合理、寓意深刻、人物生动、情节波澜。我最敬佩的是电视剧《大宅门》导演郭宝昌欣然肯定年轻人的改编。全剧演出只有两个多小时，不可能把几十集电视剧中的人物原封不动地拿来演。更重要的是京剧有京剧的结构、京剧有京剧的逻辑。因此，人物是需要重新架构的。按照艺术门类的本体规律改编原著，才是成熟艺术的根本。京剧《大宅门》在这方面取得了可喜的成功。白景琦、杨九红在大宅门里外反差巨大的形象，生动展示人物的多重性格。这个戏排得也好，舞台干净、灵巧，一大一小两个牌楼千变万化了场景。演员也很出色。说点儿不足：对白多，像话剧。尤其是“京白”念多了，演员又没有合适的身段配合，影响京剧的整体美。

　　河北梆子《李保国》（河北省河北梆子剧院）

　　有温度地关注“人”

　　郑荣健

　　这是一部有情怀、有温度的戏。它讲述李保国到太行山区“科技兴农”“精准扶贫”的真实故事，既没有概念化的“干净”，也没有琐细地“说事”，而是以人带戏、以情感人，塑造了一个老农般鞠躬尽瘁的科技知识分子形象，遵循日常人伦的情感逻辑。当人物遭到误解，他有脾气；当儿子上学被耽误，他愧疚，所有这些都是统一的、符合人物性格的。开场倾诉的对太行山区的情感，让一切有了合理的解释，“他能用一把荞麦皮，榨出二两油来”，这是鲜活质朴的语言，是人物性格的写照，诠释出一个当代知识分子的责任与担当。就创作而言，它带来的启示显而易见，那就是创作者要有情感有温度地关注生活、关注生活中的人。

　　淮剧《送你过江》（盐城市淮剧团）

　　宏大主题从“小”说起

　　武丹丹

　　这是第一部反映渡江战役的戏曲现代戏。革命老区芦荻港女村长江常秀一家，与南下部队教导员郭逸夫及其战友重逢在渡江决战前夕。曾经的命运遭际与突变的情感纠葛，引爆革命信仰和俗情世理的激烈冲突。最终，在“渡江”这个关口上，信仰引领着他们做出“爱与牺牲”的抉择：送你过江！把革命送过江、把胜利送过江、把信仰送过江，同时透射出一种人生的“过江”。全剧从小人物着手，犹如一曲清远的笛，与历史对话、与英雄交流，让观众触摸到那一代人的情感温度和信仰纯度。可以说，《送你过江》是一次不能忘却的精神回眸。尤其值得关注的是，出品方盐城市淮剧团是一个区县级剧团，常年活跃在基层，建团六十年来一直以农村题材、以现代戏见长，此次再次从小人物着手，成功反映宏大历史主题。

　　话剧《兰陵王》（国家话剧院）

　　继续民族化探索

　　靳文泰

　　话剧《兰陵王》，由浸淫戏曲多年的剧作家罗怀臻、在话剧民族化躬耕多年的导演王晓鹰合作推出。从史料中仅有只言片语的历史人物衍生出话剧《兰陵王》，故事情节并不复杂，但呈现方式和演员的表演耐人寻味。王晓鹰在剧中延续《霸王歌行》《理查三世》《伏生》等作品对话剧民族化的探索。导演处理没有被戏曲程式束缚，而是活用传统戏曲的表现力和刻画人物的方法，如龙套的使用、靠旗的多少、桌椅的摆放等既有准程式化也有半程式化，使假定性、虚拟性在舞台上无限延展，并由此产生丰富的意境和情趣。此外，剧中几位主演在表演方面也进行了“民族化”探索，既有丰沛的内心体验，又在外部表现上下苦功，力求将话剧的写实和戏曲的写意融为一体。

　　来源：《 人民日报 》

A new mark (the road of the peak of the 2017 stage art)

Layout design: Cai Huawei

  A new mark (the road of the peak of the 2017 stage art)

The opera "Ma Xiangyang's down to the countryside" (Qingdao song and Dance Theatre)

Pay tribute to the classic of National Opera

Martin Charron

This is one of the characteristics of time and region of the country comic opera works, from the creation to the performances are all inherited Chinese National Opera Tradition, especially in the last century in 50s and 60s to create "Xiao erhei marriage" as the representative of the national traditional opera. The theme of this drama is "precision poverty alleviation". It mainly depicts characters such as Ma Xiangyang, Li Yunfang and Liu Shirong. The language is humorous, the narrative is smooth, and life is depicted solid. Play music to the plate cavity as the core means of selection of Lvju, Qinshu, and other local folk music yangko dance style elements to create, build effective drama situation, shaping the characters. A large number of arias not only dramatic, and good singing, ear into the heart. According to the national opera artists and performing processing requirements, the beneficial exploration and the success experience of the original national opera in the development process to inherit, and conform to the aesthetic needs, give full play to the comic opera features and the use of more abundant expression, a tribute to the national opera classic works of excellence. Although there is still room for improvement in the play, it will be an important work in reviewing the traditional and inspiring works in the historical process of the inheritance and development of the national opera.

Peking Opera "big family" (Beijing Opera)

Adapted according to the law of Art

Lilongyin

Peking Opera "big family" caught "in the house, outside the house" at this point, Yang Jiuhong, Bai Jingqi, Bai Wen around to start the story, Yuyishenke, perfectly logical and reasonable vivid characters, plot the ups. I admire the most is the adaptation of the TV series "big family" director Guo Baochang embrace young people. The show is only more than two hours, it is not possible to set dozens of TV characters to bring forward wholly intact. More importantly, Beijing opera has the structure of Beijing opera, Beijing opera has the logic of Beijing opera. Therefore, the character needs to be restructured. It is the root of the mature art to adapt the original book according to the noumenon law of the art class. Peking Opera "big family" has achieved great success in this regard. Bai Jingqi and Yang Jiuhong in the mansion inside and outside the huge contrast image, vivid display of multiple personality characters. The play is also well, the stage is clean, clever, one big and one small two archways change the scene. The actors are excellent, too. Say a little bit: more dialogue, like a play. Especially the "chicken" read more, the actor has no suitable figure, affect the overall beauty of Peking opera.

Hebei opera "Li Baoguo" (Hebei Opera Theatre of Hebei province)

Pay attention to "people" with temperature

Zhengrongjian

This is a play with feelings and temperature. It tells the story of Li Baoguo in the Taihang Mountains "agriculture science and technology" and "precise poverty" true story, neither the concept of "clean", no "trivial matter, but to people with drama, with emotion, shaping the image of intellectuals like a farmer was the emotional logic follow the daily human relations. When a person is misunderstood, he has a temper; when his son is delayed to school, he is guilty, all of which are unified and conforming to character. The opening of the Taihang Mountains to the emotion, so that all have a reasonable explanation, "he can use a buckwheat husk, squeeze 22 oil, which is fresh and plain language, is the character portrayal, interpretation of a contemporary intellectual responsibility. In terms of creation, the inspiration it brings is obvious, that is, the creator must have the emotional and warm attention to life and the people in the life.

Huaiju "give you the river" (Yancheng City Huai Opera)

The grand theme begins with "small"

Dan Dan Wu

This is the first to reflect the battles the modern Chinese opera. Hong Kong female revolutionary meadow village of the Yangtze River often show a home, with the South army instructor Guo Yifu and his comrades in the reunion on the eve of battle. Once the fate of catastrophe and emotional entanglements, detonated fierce conflict belief of revolution and the customs of the world. In the end, "this juncture, faith leads them to make" love and sacrifice "the decision to send you to cross the river! The revolution was sent to the river, the victory was sent to the river, the faith was sent to the river, and a kind of "crossing the river" of life was transmitted. The little hands, like a Qingyuan flute, and historical dialogue and exchange, the hero, let the audience feel that a generation of emotional temperature and purity of faith. It can be said, "send you across the river" is an unforgettable spiritual review. In particular, Chupin Yancheng City Huaiju is a district level troupe, perennial active at the grassroots level, Jiantuan sixty years has been to rural theme, to modern drama known, this once again from the characters to reflect the theme of the grand history of success.

The drama "Lanling Wang" (National Theatre)

To continue the exploration of nationalization

Jinwentai

The drama "Lanling Wang", from the opera for years steeped playwright Luo Huaizhen, director Wang Xiao Ying launched in the drama nationalization Gonggeng years of cooperation. Derived from the drama "Lanling Wang" only a word or two historical figures in the history, the story is not complicated, but the presentation and the actors intriguing. In the play, Wang Xiaoying continues to explore the nationalization of the drama, such as "the king of overlord", "Richard Sans", "Fu Sheng" and so on. The director has not been treated