嘻哈才子黄钧泽献唱电影主题曲,新歌《循环》首次尝试抒情曲风Hip hop sing wit Huang Junze movie theme song, a ballad "cycle" to try for the first time
嘻哈才子黄钧泽献唱电影主题曲,新歌《循环》首次尝试抒情曲风
2018年被占星师称为艺术爆发年,开年之后有哪些值得期待的作品呢?嘻哈才子C-Jay黄钧泽一月发布的为电影《时空终点》作词、作曲、演唱的主题曲《循环》一定不能错过。
据悉,新歌《循环》也是黄钧泽从男团ZERO-G单飞后一次彻底的音乐追求上的改变:《循环》不仅是黄钧泽首次尝试抒情风格,编曲上也完全颠覆他为人熟知的R&B曲风,而是选用流行音乐编曲,除了吉他和钢琴几乎没有采用过多前卫的配器。黄钧泽本人也表示,因为《循环》最早是受邀写给电影作为主题曲的,他有意“返璞归真”没有加入太多电子合成器的部分,希望大家能更好地感受歌词的内容、不受干扰地感受旋律中的情绪。
黄钧泽告诉记者,《循环》的初稿创作时间仅为1小时。在接到《时空终点》主题曲的创作邀请之后,他看了电影的初剪版,当时也没有想到要怎么去写,2天后钧泽去朋友家吃饭,朋友家有一架钢琴,他坐在钢琴前开玩笑似地跟朋友说“我来freestyle一段”,然后他就即兴哼唱了一段,大概20秒,然后跟执行经纪异口同声地说“有了”,于是饭也没有吃成,钧泽就在朋友家的钢琴上开始写《循环》的旋律。那段让钧泽颇为自得的副歌旋律,在创作之初钧泽在朋友家背了有整整20遍,直到把这段旋律像打结的绳子理顺、记熟了,才长出一口气。“那一刻大概就是灵感来了的时候吧”,钧泽的执行经纪说。
灵光一现之后是精益求精地修改,尽管钧泽有些得意——一个小时就写出了《循环》,而且写完觉得有种满足感,但之后却反反复复修改了很多次,甚至做梦也会梦见在修改那些瑕疵,特别是对歌曲情绪的处理让他一度纠结、困惑,但最终还是觉得这种干净的表达最符合电影时空循环的概念。除此以外,因为一开始没有想到要自己唱是写给女主角欧阳佳演唱的,所以钧泽把高音的部分写得非常适合女生演唱,最后却得知要自己演唱,从声线和音域上这都是一个挑战,但是出于对作品表现的完美追求,钧泽思虑之后坚持不改歌,而是在自己的演唱上找到突破。
黄钧泽也告诉记者他在电影中看到了西西弗斯那样的痛苦:不断重复,在一个个轮回里自我会迷失,但是音乐人、创作人最幸福的就是,音乐是流动的、不同的,他的每一首歌都不一样,甚至一样的歌每次做改编都会不一样,这些新的灵感和碰撞让他觉得自己很幸运,能够在艺术创作上打破这种重复的痛苦。
来源:凤凰
_ueditor_page_break_tag_Hip hop sing wit Huang Junze movie theme song, a ballad "cycle" to try for the first time
2018 is called by astrologers art outbreak, after starting the year which is worth looking forward to work? C-Jay Huang Junze, a hip-hop wit, can't miss the theme song "cycle" for the film "the end of time", composing and singing.
It is reported that the new "Circular" is Huang Junze from ZERO-G's solo after a thorough change in the pursuit of music: "cycle" is not only the first attempt Huang Junze lyrical style, completely subvert the arrangement he was known for his R&B style, but the pop music arranger, in addition to the guitar and piano with almost no too avant-garde orchestration. Huang Junze also said that because the "cycle" was first invited to the film as the theme song, "he intends to recover the original simplicity" no adding too many synthesizers, hope that we can better feel the content of the lyrics and uninterrupted feelings melody in the mood.
Huang Junze told reporters that the first draft of the cycle was only 1 hours. After receiving the "space-time" end point theme song for the creation of invitation, he saw the film early cut, had no idea of how to write 2 days later, Jun Ze to a friend's house for dinner, friends have a piano, he sat in front of the piano and joking with friends to say "I freestyle a" then he Improvisation for a while, about 20 seconds, then to perform brokerage said "by common consent", so there is no rice to eat, Jun Ze began to write the "cycle" of the melody in the home of friends on the piano. That Fengmian quite contented refrain, at the beginning of the creation of Jun Ze in the home of friends back for 20 times, until the melody like a knotted rope, straighten out the heart, only sigh. "That was probably the time of inspiration," said Jun Zawa's executive agent.
The idea is to modify after excellence, although some pride -- Fengmian an hour to write the "Circular", and finished feel a feeling of satisfaction, but after repeatedly modified many times, even in the dream will dream to change those defects, especially for the treatment of emotional songs so that he was tangled, confused, but eventually decided to express this clean accords with the concept of the film space cycle. In addition, because the beginning did not think to sing to actress Ouyang Jia singing, so the treble part of Jun Ze is very suitable for girls singing, but finally learned to sing, from voice and range. This is a challenge, but for the pursuit of perfect works, after Jun Ze thought insisted not to change the song, but to find a breakthrough in their singing.
Huang Junze also told reporters that he saw the pain of Sisyphus in the film: repeated in a cycle of self will be lost, but is a musician, songwriter most happy, music is flowing and different, his songs are not the same, even a kind of song every time the adaptation will not the same, these new inspiration and collision let him feel very lucky, can break the repeated pain in art creation
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